![]() Here are a few other important video settings to keep in mind while filming:īit depth: Bit depth, or color depth, is the amount of color information stored in each pixel of your video footage. Dialing in these settings during the filming stage will allow you to focus on grading your footage for a specific mood, rather than making extreme color corrections that could lead to more editing problems. Photographers might be used to fixing these kinds of problems in post, but with most video footage, there isn’t enough color information to make dramatic adjustments after a shoot. We know this might not be what most new videographers want to hear, but getting your footage right in-camera - properly exposing and nailing your white balance - will alleviate 90% of your color-grading headaches down the road. Color Grading Video: How to Achieve the Look and Feel You Want Start with the right settings But by taking the time to learn the basics and understand how to use LUTs effectively, soon you’ll be creating powerful video work, without days of grading to make it happen. There’s no easy way around the complexity of video editing, and color grading isn’t as simple as throwing on any old LUT. Using a LUT can help you achieve the results you want, even when you’re just starting out, so you can meet a tight deadline, take on more work, or build your portfolio with a cohesive look. They function similarly to photo presets but for video. LUTs (lookup tables) are a set of pre-defined color values that you can apply to your footage, giving it a specific look and feel. We’re big fans of editing with LUTs to streamline the color-grading process and give all your footage a unified starting point - we even created our own film-style video LUTs for beginners and pros alike! But if you’re passionate about using video to tell stories that make people feel something, then learning to color grade is going to be well worth your time and effort in the long run. It’s no wonder that so many creatives shy away from video work. You could end up with unwanted banding, color casts, and broken footage from overdoing your color grading - or you might have to spend hours grading specific frames inside each clip. What makes color grading so challenging for beginners?Īs a lot of new videographers find, there’s a steep learning curve with color grading - even for photographers who already have experience shooting and editing.Īny challenge we might experience with editing an image is going to be more complicated with video because we’re dealing with three-dimensional footage where lighting can change within a single shot, and we’re trying to unify all our clips for one cohesive look. Color grading might involve adjusting exposure and white balance, but it’s about enhancing your footage, not fixing something that’s gone wrong. Color correction is about fixing a problem in your footage, like adjusting exposure or balancing skin tones. ![]() Now that more creatives are shooting digital, we use color grading to achieve that look and feel.Ĭolor grading is different than color correction. In the past, all video footage was recorded on real film stock, and filmmakers would choose a specific type or brand of film to give a motion picture the look they wanted. That’s the power of color grading it sets the mood and impacts how your audience perceives your video. You’ve probably noticed how the coloring of a light and airy wedding video is different from a dark and gritty horror movie, or how a pharmaceutical commercial typically has a totally different look than an indie film does. Apple M3 Event.Color grading is the process of adjusting the colors and contrast of your footage to evoke a specific emotion.Test them out on your footage and see how to use them with your own workflows. They are merely a beginning guide to achieve quick and attractive grading using Final Cut Pro X. These five steps are not the end-all/be-all of color correction/grading. Move the amount slider to the right for more clipping when you need to meet more restrictive specs. At its default, video will be clipped at 0 and 100 on the scopes. Make sure it’s set to the color space that matches your project (sequence) setting (typically Rec 709 for HD and 4K SDR videos). ![]() ![]() Final Cut Pro X does not come with an adjustment layer Motion template title, but there are plenty available for download.Īpply the Broadcast Safe effect to that adjustment layer clip. This is best applied to an adjustment layer added as a connected clip at the topmost level above the entire sequence. To be safe, limit your luminance and chrominance levels by applying a Broadcast Safe effect. Different outlets have differing standards – some looser or stricter than others. If you deliver for broadcast TV or a streaming channel, your video must be legal. ![]()
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